Monthly Archives: February 2019

Can Loving Kindness Make for a Dramatic Plot?

Just yesterday I was thinking about fiction and how, no matter the fictional sub-genre, each narrative requires drama to build the plot. Even romance novels, I reasoned, have a good deal of emotional drama, and suddenly I wondered, is there a Buddhist fiction novel about loving kindness? The Buddhist concept of loving kindness is not necessarily emotionally dramatic.

That’s when I remembered Thích Nhất Hạnh’s first novel, The Novice: A Story of True Love (New York, NY: HarperOne, 2011). It is a retelling of the Thị Kính (or Quan Âm Thị Kính) legend in Vietnam. In China, Thị Kính is known as Guan Yin, the embodiment of compassionate lovingkindness and mercy. The Vietnamese legend of Thị Kính is beautifully tragic. Broadly outlined, the story goes that as a beautiful young woman newly married against her will, Thị Kính is falsely accused of murdering her husband. To survive the accusations, she poses as a male and joins a Buddhist monastic community, only to be falsely accused of impregnating a young local girl. Upon being forced to flee the temple, she finds the abandoned baby and decides to care for it. Thị Kính becomes a beggar to support herself and the child but dies of hardship. After her death, her true identity as a bodhisattva is revealed.

The Vietnamese legend of Thị Kính is so dramatic that is has been made into a Western-style opera. (If opera isn’t dramatic, I don’t know what is!) So the emotional sensation is built-in for Thích Nhất Hạnh’s first attempt at fiction. I’ve read the novel and various reviews on Amazon and Good Reads. Like many other people, I found the story compelling but Thích Nhất Hạnh’s prose somewhat preachy, as if he couldn’t quite shed the voice of his non-fiction work. Some parts of this story are originally found in sacred Buddhist texts, other parts in traditional miracle tales, and of course wherever Guan Yin has traveled, there are localized legends, so there are actually many genres and centuries of tales that could inform this version. It must be challenging to shift voices for genres and times. Thích Nhất Hạnh retells this story with the purpose of passing on Buddhist wisdom, which is clear from the first pages. If you have read this novel (or are now interested in reading it), let me know your thoughts on the narrative.